A recent New York Times article1 has focused attention on Charles Miller's Commission on the Future of Higher Education and its interest in addressing the quality of student learning and its adequacy to the demands of practice. The commission has initiated a debate on the possibility of using “standardized testing” in universities and colleges in order “to prove that students are learning and to allow easier comparisons on quality.”2 Miller is quoted as saying, on the one hand, that “what is (...) clearly lacking is a nationwide system for comparative performance purposes, using standard formats,” and, on the other, that “there…. (shrink)

Over the last century, performance art has troubled the worlds of art and of philosophical aesthetics, unleashing modes of creativity and criticality that spill outside the customary boundaries of either. One of these modes is that of political activism. Performance art is genetically related to activism due to the shared historical contexts their respective waves have emerged from and responded to. In my article, I make the claim that the relationship between performance art and activism also has much to do (...) with certain significant structural and methodological overlaps between the two. I explore these overlaps against the backdrop of extant philosophical scholarship on performativity, a selection of art historical examples, and a critique of the charge of “performative activism” that has become popular in the last decade. I see the tension between the figurative meaning of the phrase “performative activism” and its literal application to politically charged performance art as a space of philosophical opportunity. A better understanding of performance art and its political import can not only help clear up laypeople’s misconceptions of performativity, but it can also strengthen philosophy’s own position on the subject. (shrink)

The borderline between philosophy and literature is highly contested. Still, if literary theorists and philosophers agree on the occasional work’s ability to transcend border norms altogether, Samuel Beckett’s Endgame is a piece of dramatic writing that amply deserves the distinction. My article attempts a symptomatic comparison between the existential condition of Endgame’s characters, on the one hand, and the philosophical predicament, on the other. The importance of failure – both as an obstacle and as a catalyst for regeneration – provides (...) a useful framework for this cross-disciplinary comparison. I draw inspiration from Stanley Cavell’s reading of Endgame, but I take Cavell’s analysis a step further. In ‘Ending the Waiting Game’ Cavell finds satisfaction in discovering what Beckett’s play can say about a specific school of philosophy – logical positivism. I treat this discovery as an invitation to consider the possibility of a broader conclusion. There is much in Endgame, in Cavell’s other writings, in the works of his and Beckett’s commentators and in Wittgenstein’s legacy that points to the existence and acceptance of philosophical infirmity. I see the recognition of this infirmity as a necessary step towards a better understanding of the play but also as a contribution to our general sense of the productive continuities between philosophy and literature. (shrink)

In this article, I propose a way for philosophical aesthetics to make sense of the curator's work and specifically its claim to creativity and value making. My thesis is that selecting art should be thought of as a fine art in itself. This thesis, in various formulations, has been a source of controversy for art historians, critics, and theorists for more than a century. Even though philosophers have barely addressed the issue, philosophical aesthetics has been complicit in the prevalent modes (...) of resistance. The unspoken reason that various figures of the artworld find it problematic to identify curators as artists is that the divisions of labor they protect are inherently normative. The inadvertent application of this normativity in equal measure affects curators who style themselves as artists. I offer a critique of the historical and philosophical underpinnings of this normative picture, which sets the stage for a reconsideration of curatorship and its stake on a place among the rest of the fine arts. (shrink)

In this article I attempt to reveal some continuities between the anti-psychoanalytic stance adopted by Gilles Deleuze in his later work and Henri Bergson's early philosophy. On account of these continuities I hope to provide a glimpse into what I believe is a century-old tangent of philosophical resistance to the methods and theories of Freudian psychoanalysis. In order to achieve this, I start with a brief meditation on the challenges and benefits of cross-generational inheritance and collaboration in philosophy. The purpose (...) of this is twofold – to explore some general conditions for such collaboration and to tease out some of the implications of these conditions for the substantive argument my specific reading of Bergson via Deleuze occasions. I then expound on Bergson's theory of duration and some of the uses to which Deleuze puts it in the latter part of his career. In this I outline several fecund similarities between Bergson's critique of associationism and Deleuze's attack on Freud. Finally, I attempt a partial evaluation of Freudian psychoanalysis from the joint, albeit naturally disjointed, perspective of my primary sources. (shrink)

My response to Paul C. Taylor’s “Black Reconstruction in Aesthetics” follows his example in engaging different disciplinary and thematic contexts. I start with an account of a scene in the 2018 movie Black Panther and explore its relevance to recent discussions about the restitution of African art objects. I then attend to some productive similarities between Taylor’s intervention into contemporary aesthetics and a prominent argument in favour of restitution. I finish by suggesting that the reconstruction Taylor calls for can be (...) achieved only if philosophers resocialize along a renewed commitment to engage Black aesthetics and Black lives in all their richness and importance. (shrink)

Curating is a confounding concept—highly specialized in its technical meaning but wildly ecumenical in colloquial usage. This makes it a good candidate for philosophical attention. Considering how often the boundaries of curating have been redrawn since the 1960s, it is encouraging to see philosophers finally turning their lens on it in the last decade. This is also partly what makes Sue Spaid’s The philosophy of curatorial practice: between work and world a welcome contribution. The book might fall short of a (...) definitive philosophical account of curating, but it charts helpful vectors of interest for future scholarship. On a personal note, as someone who has had the opportunity to debate Spaid on the subject of curating, both at live events and in print, I consider her book a meaningful addition to the conversational momentum the topic has been enjoying. -/- In what follows, I start with some general remarks and then focus on two constitutive aspects of Spaid’s book—her account of what curating is and her description of what curated exhibitions do. These are also two of the central questions philosophy has traditionally asked of art. In this sense, Spaid’s study traverses familiar methodological and thematic terrain. What she adds to the existing scholarship on perennial issues of intentionality, authorship, spectatorship, interpretation, etc. is her keen curiosity about the increasingly rich contributions curated exhibitions make to the life of art. (shrink)

The work of artist Ron Athey has long befuddled the art historical establishment and has mostly remained under the philosophical radar. In this review of Athey’s Acephalous Monster, performed on August 28, 2021, at the Roy and Edna Disney/CalArts Theater in Los Angeles, I propose a philosophical frame- work for Athey’s radical reinvention of ethical categories like agency, mutuality and communion. I describe the performance and its critical context in order to tease out the aesthetic dimension of this reinvention and (...) the subversive power of reconstituting personhood along lines of collective artistic jubilation and creative survival. (shrink)

This paper explores how civic food networks (CFN) use public forums to engage with other initiatives and stakeholders in civil society. It develops the concept of social infrastructure to capture the assemblages of discourses, networking and spaces around agrifood forums. The research then examines how social infrastructures support CFNs’ capacity to organize communities and challenge power relations in the agrifood system. Two cases are compared: News&Market, a Taiwan-based agrifood news platform which also sells organic food products, and Foodthink, a collective (...) blog created by a farmers’ market in China. Both started in the late 2010s but one focuses on policy critiques while the other focuses on market critiques. A comparison finds that CFNs develop different critiques to address the specific challenges facing local alternative food networks (AFNs), and use networking and space creation to promote social dialogue with other stakeholders or build networks across AFNs and NGOs. The paper argues that a social infrastructure such as that built around agrifood forums enables CFNs to shape food democracy and food citizenship practices in new ways. (shrink)

Contributed seminar papers on Vedic theory of creation, philosophy and science.

Anxiety shifts visual attention and perceptual mechanisms, preparing oneself to detect potentially threatening information more rapidly. Despite being demonstrated for threat‐related social stimuli, such as fearful expressions, it remains unexplored if these effects encompass other social cues of danger, such as aggressive gestures/actions. To this end, we recruited a total of 65 participants and asked them to identify, as quickly and accurately as possible, potentially aggressive actions depicted by an agent. By introducing and manipulating the occurrence of electric shocks, we (...) induced safe and threatening conditions. In addition, the association between electric shocks and aggression was also manipulated. Our result showed that participants have improved sensitivity, with no changes to criterion, when detecting aggressive gestures during threat compared to safe conditions. Furthermore, drift diffusion model analysis showed that under threat participants exhibited faster evidence accumulation toward the correct perceptual decision. Lastly, the relationship between threat source and aggression appeared to not impact any of the effects described above. Overall, our results indicate that the benefits gained from states of anxiety, such as increased sensitivity toward threat and greater evidence accumulation, are transposable to social stimuli capable of signaling danger other than facial expressions. (shrink)

Epistrofē, ili, Fenomen "vozvrashchenii︠a︡" v pervoĭ evropeĭskoĭ kulʹture -- "Osevye veka" evropeĭskoĭ istorii -- Logika istorii -- Istina i istorii︠a︡ -- Evropeĭskiĭ istorizm (nekotorye aspekty problemy).

Religion, environment, tradition, needs, and character determine the framework of people's eating habits. In this context, a special area is reserved for nutrition in the Qur'an. One of the prominent words in the relevant field is “rizq,” referring to things that Allah gives to all creatures for their own benefit. Broadly, children, spouse, action, knowledge, and wisdom can also be evaluated in this context. This study aims to reach detailed data on the subject by examining the verses where the word (...) rizq is mentioned in Surah al-Baqara in terms of language and rhetoric. In every language, but especially in the Arabic language, the words that make up the sentences, the forms of the words, the syntax of the sentence, the forms of expression, and the style are important while determining the meaning. First, the comparison method was applied in the determination of the eloquence subtleties that were taken as a basis in the study. By this method, we compared verses, sentences, and words with other related verses and possible/fictional sentences in different linguistic dimensions; determined the differences between them, and tested the results by applying them to the relevant text. Considering every linguistic structure in the Qur'anic style and investigating its meaning is essential for understanding the Qur'an. In such a reading, the presence as well as the absence of language elements should be taken into consideration and used effectively in determining the meaning. The words used in the Qur'an are fundamental because their presence or absence, the structure of words that they are used together, and the whole text constitute an important and different aspect of the conveyed message. In this paper, ten verses where the word rizq is mentioned in Surah al-Baqara are examined within the framework of the study method. Their application provides examples to a certain extent for the understanding of the specified method. Various data has been obtained about the concept of rizq as reflected in general social life. As rizq, the foods must be healthy and tasty as well as halal in terms of their ingredients and acquisition. The desire for foods of human body may vary according to various factors. However, prohibitions on food are based on reasonable, scientific, or religious reasons. The moral and philosophical dimensions of the subject are always present in the background of these justifications. One of the duties assigned to human beings is to obtain rizq within the framework of the possibilities and capabilities given to them in the world and to distribute it, if any, to those they are responsible for, creatures, and other needy people. It is a requirement of faith to utilize the rizq by considering its raison for existence and to ensure that the way of acquisition is legal and ethical. Legitimate acquisition, sharing, and distribution of what is acquired is primarily related to the sense of conscience. Therefore, it is not in the nature of faith to interfere with what is given to animals, plants, and other people as rizq. From this point of view, infaq plays an important role in understanding the concept of rizq. The Qur'an strongly expresses the desire of man to be fair and generous in the sharing of rizq. (shrink)